Webtoon · KOMI
A webtoon is not a comic page stretched tall. It paces pauses, hooks and breathing room for scrolling. KOMI lets you fix the storyboard and vertical rhythm first, then generates colour frames one at a time.
Review the credit cost before generating, then choose how to create. Pricing
Explore composition, atmosphere and visual storytelling. Find a direction, then make the story your own.
Give each shot one clear job: establish a place, reveal an expression or introduce a new question. A short episode is easier to shape when every beat earns its position. Edit the shot order before generating images, keeping the final hook separate from the setup.
Explore this formatDescribe the time of day, palette and light in addition to the character. Reuse the same references through the sequence. Check neighboring panels together: a beautiful individual image can still break continuity if the location, costume or light changes unexpectedly.
Explore this formatA reveal needs contrast with what came before. Follow an establishing view with a tighter detail and leave breathing room around important dialogue. Compose the approved panels with the available layouts, then inspect how the story reads when the page is viewed vertically.
Explore this formatA message from that room
Review small faces, dialogue size and bubble placement at a narrow width. Edit text separately from the artwork, so shortening a line does not require a new image. Export the finished pages and check your publishing platform's dimensions and upload rules before release.
Explore this formatFifteen to twenty-five stacked frames with hooks and pauses placed for scrolling.
Explore this formatThree to five frames that establish the character, the conflict and the hook in one vertical image.
Explore this formatA separate thumbnail crop that keeps faces and title text inside the safe area.
Explore this formatTwo or three frames that establish look, temperament and relationships from the same character version.
Explore this formatBreak the final reveal into a setting, a reaction and a close-up. Adjust the spacing so the last screen gives readers a reason to return.
Explore this formatA vertical color episode: an adult commuter misses the last train, notices a lit window across the tracks, then receives a message from that same room. Use a wide opening, a long pause and a close-up reveal.
Describe a scene, import your manuscript in the editor, or define a character. Add the references that matter to your story.
Review the storyboard, choose a model and check the quote. Generate and compare panels; retry the ones that need another pass.
Arrange the approved artwork, edit bubbles and text, and preview the finished page before exporting. Character references can be reused in a project.
Edit shot order, action and dialogue before committing to the final artwork.
Try another candidate for a shot while keeping the panels you already approved.
Choose a reference version for each project or shot, then review the result for continuity.
Adjust dialogue, bubble shapes and placement without regenerating the underlying artwork.
Every screen in a webtoon needs a reason to keep scrolling: an action, an expression, a line, a cut. Vertical storyboards break the page into consecutive screens; pauses come from negative space and hooks from the last frame. Marking each frame's scroll motive at storyboard stage beats stretching later.
Colour drift is the main risk of a colour series. Characters and wardrobe bind to a version, lighting and time of day are fixed in the storyboard, and every frame reuses the same colour relationships. For a night scene or a flashback, open a new version instead of adjusting colour on the fly.
A vertical strip: fixed width, height extended by frame count and pauses. Export at the width your target platform recommends.
Set it by cadence: weekly updates usually run fifteen to twenty-five frames, biweekly can reach thirty. Frame count reflects reading time better than page count.
Bind characters and wardrobe to a version and reuse it across frames. Write lighting and time of day into the storyboard instead of correcting colour afterwards.
Yes. Generate at the platform ratio, keep faces and titles inside the safe area, then export.
Prepare one episode of script, split it into fifteen to twenty-five vertical beats, confirm the storyboard and lighting, generate each panel, then export at the platform width.
One is enough. This webtoon creator covers the episode workflow — vertical panels, colour continuity, per-panel retry — and exports at your platform width, so you do not need a second webtoon maker or a separate webtoon generator.
Start small. Shape the shots. Make something you want to share.
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