Manga · KOMI
Japanese manga draws its tension from black and white: screentone, speed lines, negative space and faces. KOMI settles the storyboard first, then generates one panel at a time, so you only redraw the frame that missed. That is why a manga AI generator built on a storyboard keeps screentone and speed lines deliberate instead of random.
Review the credit cost before generating, then choose how to create. Pricing
Explore composition, atmosphere and visual storytelling. Find a direction, then make the story your own.
Describe the main silhouette, the light source and the darkest area before adding speed lines or screentone. Review the result at a small size: the action should still read without color. If it does not, simplify the composition rather than adding more detail.
Explore this formatSave a clear reference for hair, clothing and identifying accessories. Bind that version to the shots where the character appears. Treat consistency as an editing task: check facial proportions and costume details, and retry only the panels that drift from your approved design.
Explore this formatAlternate an establishing view, a reaction and a detail instead of making every panel equally loud. A silent hand movement or empty corridor can carry tension. Adjust the sequence in the storyboard before spending credits on the final images, then check page flow in composition.
Explore this formatReveal the fresh footprint
Ask for clean art, then set dialogue, narration and bubble shapes in the editor. Separate text makes proofreading and translation easier. Check tails, faces and reading order at the intended page size; changing a line should not require generating the drawing again.
Explore this formatAn eight- to sixteen-page story with one consistent black-and-white treatment.
Explore this formatFour beats — setup, development, turn, punchline — for slice-of-life and gag pacing.
Explore this formatFront, side and expression variations of one character, for submissions or drawing reference.
Explore this formatProduce a readable draft first, then decide which frames deserve a redraw.
Explore this formatRun the same page at shonen, shojo, seinen and josei pacing, one version each.
Explore this formatDoujinshi and short serials live or die on consistency: the same face, the same tone, the same reading direction from the first page to the last. Working as a manga creator here means the chapter is planned before a single frame is drawn.
Write the chapter, fix the character version, approve the storyboard, then generate page by page. Tone, speed lines and bubble placement stay in your hands, and only the page that missed gets redone.
Start a manga chapterBlack-and-white mystery manga: an adult detective finds a wet umbrella inside a locked room. Establish the room, show the umbrella, then reveal a fresh footprint. Strong blacks, restrained screentone, no lettering in the artwork.
Describe a scene, import your manuscript in the editor, or define a character. Add the references that matter to your story.
Review the storyboard, choose a model and check the quote. Generate and compare panels; retry the ones that need another pass.
Arrange the approved artwork, edit bubbles and text, and preview the finished page before exporting. Character references can be reused in a project.
Edit shot order, action and dialogue before committing to the final artwork.
Try another candidate for a shot while keeping the panels you already approved.
Choose a reference version for each project or shot, then review the result for continuity.
Adjust dialogue, bubble shapes and placement without regenerating the underlying artwork.
Tone sets the grey, speed lines set the direction, negative space sets the breath, and faces carry the emotion. Together they create manga's reading rhythm; it is not a colour image with the saturation removed. The storyboard should decide what each frame does: establish, advance, pause or explode.
Right-to-left reading is not a mirrored image; it is a convention for panel order and bubble placement. The layout sets how frames are arranged, and the bubble layer sets where the eye travels. Editing a line or moving a bubble never redraws the art.
Choosing the manga style generates in black and white with tone, speed lines and negative space. You can switch to a colour style for comparison.
Yes. Panel order and layout follow right-to-left, and bubbles are positioned on a separate layer.
Yes. Each frame is its own task; retrying affects only that frame and leaves approved art unchanged.
You can tune shot length and expression intensity for shonen, shojo, seinen or josei pacing. These are storyboard settings, not model training.
Export produces PDF and PNG pages at a resolution you choose. Check bleed and paper size with your printer before committing.
Yes. Treat it as a manga creator for short projects: write the chapter, lock the character version, approve the storyboard, then generate panels page by page. PDF and PNG pages export before you commit to print.
Start small. Shape the shots. Make something you want to share.
Create a comicUpdated